Shchepalina V. —
Sources of Alejandro Casona's Individual Author's Style
– 2018. – ¹ 3.
– P. 1 - 10.
DOI: 10.25136/2409-8698.2018.3.26371 URL: http://en. nbpublish.com/library_read_article.php?id=26371
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The object of the resaerch is an individual author's style of a Spanish playwright Alejandro Casona. The subject of the research is the process of Alejandro Casona developing his author's style. The author of the article analyzes the factors that influenced the process such as facts of Casona's biography (his childhood in Asturias, work as a country teacher, participation in Teachers' missions, career as a screenwriter) as well as global literary process that were ongoing back in those times (reformation of the style of the representatives of the 98s, movement of Spanish modernism and new drama, influence of impressionism on literature). In her research Schepalina applied biographical, psychological, comparative methods, stylistic analysis as well as observation, generalisation and description. The scientific novelty of the research is caused by the fact that there are no major researches devoted to Casona in Russin academic literature. The present research gives an insight into sources of the playwright's artistic style and thus makes a contribution to understanding the literary process in Spain of the 20th century. The illustrations provided by the author allow to prove theoretical concepts offered by the researcher.
Azorín, Valle Inclán, Spanish modernism, literary method, individual author's style, Spanish theatre, Alejandro Casona, new drama, epithet, poetic sign
Abisheva U.K. Neorealizm v russkoy literature 1900-1910-kh godov : avtoreferat dis. ... kandidata filologicheskikh nauk. M., 2006. – 54 c.
Andreeva S. A. Funktsii pauzy v poetike angliyskoy «novoy dramy» : Dzh. B. Shou i Dzh. Golsuorsi : avtoreferat dis. ... kandidata filologicheskikh nauk. M., 2005.-18 s.
Zingerman B.I. Ocherki istorii dramy XX veka. M., 1979. 390 s.
Obolenskaya Yu.L. Stilisticheskie dominanty ispanskoy rechi kak otrazhenie osobennostey mentaliteta i yazykovogo soznaniya ispantsev. (tezisy dok.) // Ibero-romanistika v sovremennom mire: nauchnaya paradigma i aktual'nye zadachi: Tezisy konferentsii / Filologicheskiy fakul'tet, 20-21 noyabrya 2008 g./ Pod red. Mungalovoy O. M., Obolenskoy Yu. L., Snetkovoy M. S. — M., 2008. – S. 78-80.
Pavshuk A. V. Yazykovaya priroda i funktsii epiteta v khudozhestvennom tekste (na materiale romana Asorina «Volya») : dis. ... kandidata filologicheskikh nauk. M., 2007. – 198 s.
Terteryan I.A. Ispytanie istoriey. Ocherki ispanskoy literatury XX veka. M.: Nauka, 1973. – S. 66.
Question at hand
Klyuev N.A. —
The Social Media Concept in Russian Linguistic Consciousness (Based on the Literature Analysis and Psycholinguistic Experiment)
– 2018. – ¹ 3.
– P. 11 - 21.
DOI: 10.25136/2409-8698.2018.3.26680 URL: http://en. nbpublish.com/library_read_article.php?id=26680
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The subject of this research is the structure of the social media concept in Russian linguistic consciousness. The purpose of this research is to present the structure of the social media concept from the point of view of cognitive interpretation of linguistic units that comprise the nominative area thereof. According to the author of the article, social media is the phenomenon that is interesting not only for basic users but also professional researchers and specialists of different spheres (marking, journalism, philology, communication, etc.). The research method used by the author for his research was the comparative analysis of professional literature and results of psycholinguistic experiment. Experimental material has been collected by using the method of direct interpretation of words in a form of a network survey. The results of the research have demonstrated that the social medial concept refers to the categorial type of conceptual structures and the key classification features of social media are people, communication and Internet resource. Nominations that denote these features comprise the core of the concept categorial structure. Bright cognitive features also include the 'network' feature that acts as a prototype for the social media category which has been proved by other researchers.
digital communication, internet-communication, psycholinguistic experiment, internet-discourse, cognitive linguistics, social networks, social media, psycholinguistics, category, concept
Alekseeva A. O., Vartanova E. L., Kruglova L. A. Internet-SMI: Teoriya i praktika: ucheb. posobie dlya studentov vuzov // pod red. M. M. Lukinoy. — M.: Aspekt-press, 2010. — S. 344.
Blek S. Vvedenie v pablik rileyshnz: per. s angl. Rostov n/D.: Feniks, 2011. 317 s.
Bobrovskiy S. Evolyutsiya i iskusstvennaya zhizn' // PS Week Review. — M., 2005. — ¹ 4. — S. 32–33.
Bykov I. A., Filatova O. G. Tekhnologii Veb 2.0 i svyazi s obshchestvennost'yu: smena paradigmy ili dopolnitel'nye vozmozhnosti? // Vestnik Sankt-Peterburgskogo universiteta. — 2011. — Ser. 9. — ¹ 2. — S. 227.
Vartanova E. L. Finskaya model' na rubezhe stoletiy: Informatsionnoe obshchestvo i SMI Finlyandii v evropeyskoy perspektive. M.: Izd-vo MGU, 1999. 287 s.
Goroshko E.I. Psikholingvistika Internet-kommunikatsiy // Voprosy psikholingvistiki. 2008. ¹7. URL: https://cyberleninka.ru/article/n/psiholingvistika-internet-kommunikatsiy (data obrashcheniya: 27.05.2018).
Doyl' P. Marketing menedzhment i strategii. SPb.: Piter, 2010. s. 45–48.
Ishun'kina I. Auditoriya i
Kuzmin G. —
'Morki Text' in Mari Prose (on the Problem Statement)
– 2018. – ¹ 3.
– P. 22 - 27.
DOI: 10.25136/2409-8698.2018.3.26717 URL: http://en. nbpublish.com/library_read_article.php?id=26717
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In his research Kuzmin brings forth the problem of the local (regional) text, in particular, 'Morki text' in Mari folk literature. In his research Kuzmin gives a definition of 'Morki text' in terms of existing definitions of 'St. Petersburg text', 'Moscow text', 'Northern text', etc. and defines the key factors that contributed to the origin and development of Morki text. In his research Kuzmin pays special attention to the geographical factor in the development of Morki text and describes the main features of the message, problem, topic, narration and style unity of all Morki texts. This article is of theoretical and methodological nature. Therein the author applies analytical, systems and comparative methods of literary analysis. Kuzmin analyzes Russian academic approaches to analyzing the origin, development and current state of local supertexts from the point of view of their importance and possibility to be used to describe the term 'Morki text' in Mari folk prose.
geographical factor, factors of formation, morki text, local text, supertext, art structure, Mari prose, Mari literature, content core, poetics
Altayskiy tekst v russkoy kul'ture. Vyp. 1. Barnaul, 2002. 131 s.
Altayskiy tekst v russkoy kul'ture. Vyp. 2. Barnaul, 2004. 214 s.
Altayskiy tekst v russkoy kul'ture. Vyp. 3. Barnaul, 2006. 236 s.
Apateeva R. Makarsolan usta ergyzhe // Onchyko. 1996. ¹ 4. S. 134-140.
Apateeva R. Ere chonyshtem // Onchyko. 1976. ¹ 4. S. 74-78.
Asylbaev A. Georgiy Efrush – oylymashyn mastarzhe // Asylbaev A. Mariy literatura nergen. Yoshkar-Ola, 1957. S. 105-115.
Asylbaev A. G. Efrushyn dramaturgiyzhe nergen // Mariy kommuna. 1940. 21 apr.
Asylbaev A. Seҥymash kornyshto // Mariy literatura nergen. Yoshkar-Ola, 1957. S. 149-167.
Asylbaev A.A. Sergey Chavayn: ocherk zhizni i tvorchestva. Yoshkar-Ola: Mar. kn. izd-vo, 1963. 144 s.
Asylbaev A. Ya.A. Elekseyn nergen // Elekseyn Ya. Ӧrmӧk. Yoshkar-Ola, 1990. S. 104-123.
Vasin K. Kalyk pisatel' N. Lekayn // Onchyko. 1967. ¹ 3. S. 110-112.
Vasin K.K. Sergey Grigor'evich Chavayn: Zhizn' i tvorchestvo. 2-e izd, dop. Yoshkar-Ola: Mar. kn. izd-vo, 1987. 47 s.
Skalnaya Y. —
Genre Innovation of Bernard Shaw's Play 'Saint Joan': at the Origins of a Documentary Theatre
– 2018. – ¹ 3.
– P. 28 - 38.
DOI: 10.25136/2409-8698.2018.3.26739 URL: http://en. nbpublish.com/library_read_article.php?id=26739
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The subject of this research is the place of an Irish playwright Bernard Shaw in the history of the documentary theatre development. Contrary to common belief that the founder of the docudrama performance was a theatre director Erwin Piscator and the founder of the docudrama methodology was Bertolt Brecht, the author of this article points out that Shaw's plays preceded them. As the proof of her thesis, Skalnaya has chosen to analyze the play 'Saint Joan' (1920) written by Shaw right after the First World War. This research is structured as having three parts. The first part of the research is devoted to the analysis of the principles used by the playwright as the written evidence of that epoch demonstrate. The first part of the research proves that Shaw used a lot of verbatim (paraphrase and direct quotes from historical sources). The second part of the article is intended to extend the interpretation of 'document' in docudrama and provide examples of how the images of Joan of Arc and her contemporaries in fine arts and sculpture impacted the appearance of Shaw's play characters. In the final part of the research the author appeals to the comparison of the present and previous experience of the documentary theatre and traces back the performance of 'Saint Joan'. In the process of the research the author has used the historical literary method that involves analysis of the biographical, historical and cultural contexts of creation of a play, as well as the comparative method that allows to compare different points of view on the matter of the research. The author has also used some elements of the close reading technique. The results of the research demonstrate that Shaw's play 'Saint Joan' has all the typical features of the docudrama which proves the innovative nature of the play and explains why the play was not accepted by Shaw's contemporaries. Generally speaking, the conclusions made by Skalnaya in her research, create grounds for reviewing the current chronology of docudrama and tribunal theatre development.
docudrama, verbatim, obvious anachronism, modernization of history, philosophy of history, history play, genre, Saint Joan, Bernard Shaw, tribunal theatre
Wikander M. H. Reinventing the History Play: Caesar and Cleopatra, Saint Joan, “In Good King Charles’s Golden Days” // The Cambridge Companion to George Bernard Shaw / Ed. by Christopher Innes. York University (ON.): Cambridge UP, 2004. P. 195-218
The Quintessential G.B.S.: Plays // Brown University Library [Elektronnyy resurs]: http://library.brown.edu/exhibits/archive/shaw/plays.html
Weintraub S. Lawrence of Arabia: Bernard Shaw's Other Saint Joan // Shaw's people: Victoria to Churchill, 1996. P.162-177.
Watt S. Shaw's Saint Joan and the Modern History Play // Comparative Drama, 1985. V. 19, ¹ 1. P. 58-86.
Verbatim: Contemporary Documentary Theatre / Ed. by W. Hammond, D. Steward. L.: Oberon Books, 2008. [Elektronnyy resurs]: https://books.google.ru/books?id=o5mFIMe-CDAC&hl=ru&source=gbs_navlinks_s
Tyson B. The Story of Shaw's Saint Joan. Kingston; Montreal: McGill-Queen's UP, 1982. 142 p.
Shaw B. Saint Joan: A Chronicle Play in Six Scenes and an Epilogue. L.; N.Y.: Penguin Books Ltd. 1988
Volkhovskaia A. —
Life and Creative Writing of Alexandr Pushkin in the Eyes of Spanish Writers of the Generation 98
– 2018. – ¹ 3.
– P. 39 - 45.
DOI: 10.25136/2409-8698.2018.3.25457 URL: http://en. nbpublish.com/library_read_article.php?id=25457
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The article is devoted to rare episodes of Spanish writers of the Generation 98 referring to the creative legacy of Alexandr Pushkin. In her research Volkhovskaya gives several extracts from Pio Baroja's, Miguel de Unamuno's and Antonio Machado's texts in which they either quoted or analyzed Alexandr Pushkin's stories. All quotations are published and translated by the author of the article for the first time. The article is ended with the conclusions about new ways of perception of Alexandr Pushkin's creative writing by the aforesaid Spanish writers. In her research Volkhovskaya applies the method of comparative historical analysis and analyzes extracts from texts written by Spanish writers of the Generation 98 that contained mentioning biographical facts or references to Alexandr Pushkin's writings. The author's special contribution to the topic is the discovery and translation of all available Spanish extracts by the writers of the Generation 98 about Pushkin. The main result of the research is the discovery of new ways of perception of Alexandr Pushkin's biography and creative writing by Spanish readers.
Boris Godunov, Emilia Pardo Bazàn, russian literature, Antonio Machado, Pio Baroja, Miguel de Unamuno, literature generation, Spanish literature, Aleksandr Pushkin, Rusalka
Unamuno M. Obras completas. Tomo X. Autobiografia y recuerdos personales. Madrid: A. Aguado, 1958. 1120 p.
Unamuno M. Como se hace una novela. Buenos-Aires: Alba, 1927. 170 p.
Bagno V.E. Emiliya Pardo Basan i russkaya literatura v Ispanii. L.: Nauka, 1982. 150 s.
El Atlante. 2 de septiembre 1838. ¹ 245. R. 1-2
Baroja P. Escritos de juventud (1890–1904). Madrid: Cuadernos para el dialogo, 1972. 406 p.
Cueto L.A. Poesias liricas y dramaticas. Madrid: Sucesores de Rivadenevra, 1903. 493 p.
Cueto L.A. // Avellaneda G.G. Obras literarias de la Señora doña Gertrudis Gomez de Avellaneda. Colleccion completa. Tomo quinto. Madrid: imprenta y estereotipia de M. Rivadeneyra, 1871. 423 p.
Lissorgues Y. La novela rusa en España (1886-1910). Alicante : Biblioteca Virtual Miguel de Cervantes, 2012
Machado A. Miscelanea apocrifa. Palabras de Juan deMairena // Hora de España, diciembre 1937, ¹ 12
Monforte R. Las edici
Demicheva N. —
– 2018. – ¹ 3.
– P. 46 - 56.
DOI: 10.25136/2409-8698.2018.3.26866 URL: http://en. nbpublish.com/library_read_article.php?id=26866
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the Capture of Pskov, Pskov First Chronicle, Sofia First Chronicle, Pskov Chronicles, Russian chronicles, Old Russian literature, Vasili III, ideology, poetics, Slovo by Serapion of Vladimir
Averintsev S. S. Poetika rannevizantiyskoy literatury. M., 1997. 343 s.
Adrianova-Peretts V. P. Literatura Pskova vtoroy poloviny XV – pervoy poloviny XVI v. // Istoriya russkoy literatury. T. 2. Ch. 1. Literatura 1220-kh-1580-kh gg. Pod red. A. S. Orlova, V. P. Adrianovoy-Peretts i N. K. Gudziya. M., L., 1945. S. 390-411.
Adrianova-Peretts V. P. Ocherki poeticheskogo stilya Drevney Rusi. M., L., 1947. 188 s.
Bessudnova M. B. Pskovskie sobytiya 1509-nachala 1510 g. v kontekste livonskoy ordenskoy politiki // Pskov, russkie zemli i Vostochnaya Evropa v XV-XVI vv. K 500-letiyu vkhozhdeniya Pskova v sostav edinogo Russkogo gosudarstva: sb. tr. mezhdunar. nauchnoy konferentsii, 19-20 maya 2010 g. Pskovskiy gos. ped. un-t im. S.M. Kirova; Evropeyskiy un-t v S.-Peterburge. Pskov, 2011. S. 129-139.
Bolkhovitinov E. A. Istoriya knyazhestva Pskovskogo. M., 2012. 528 s.
Vvedenskiy A. M. Mesto Varshavskogo sbornika sredi spiskov Novgorodskoy pyatoy i Pskovskoy I letopisi // Slověne=Slovѣne. Vol. 6. ¹ 2. M., 2017. S. 199-20