Culture and cultures in historical context
Markov N.A. —
Experiment in the Soviet cinematography: Experimental Creative Association (1965-1976)
// Genesis: Historical research.
– 2018. – ¹ 1.
– P. 102 - 111.
DOI: 10.25136/2409-868X.2018.1.23742 URL: http://en. nbpublish.com/library_read_article.php?id=23742
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The subject of this research is the history of the Experimental Creative Association of Grigory Chukhray, which purpose lied in the attempt to implement the market principles into the management system of Soviet cinematography. The leading films that became the classics of Soviet cinematography were shot within the framework of this association. At the end of the 1960’s were prepared the projects for distributing this system across the entire Soviet cinematography; thus its principles underlied the new system of cinematography in 1989. The object of this research is the principles of the Experimental Creative Association, circumstances of its organization, its achievements and role in development of the national cinematography. Methodological foundation contains the principles of historicism, systematicity, and objectivity. Following the principle of historicism implies the examination of the history of the association in terms of the specific historical situation of 1960’s – 1970’s. System approach suggests considering the entire complex of factors that affected the establishment, development and dissolution of the Experimental Creative Association. The author’s contribution into the research of this topic lies in the systemic learning of the establishment, development, crisis, and dissolution of the association as one of the most remarkable events in the history of Soviet cinematography. It is concluded that the formation of the Experimental Creative Association was attributed to the overall situation in the country during the period of “thaw” that marked the expansion of the ideological and stylistic frameworks of art, as well as the reforms of A. Kosygin; the crises of film studio of G. Chukhray in 1968 led to the deprivation of independence and rejection of the general reform of cinematography; this crises was due to the common trend towards strengthening of control and spate of the ban on films thought the period of 1966-1971; the abrupt partial implementation of the principles of association in 1989 did not results in the replication of its success.
Experimental Creative Association, Soviet cinematography, Union of Cinematographers, Vladimir Pozner, Grigory Chukhray, Goskino, White Sun of the Desert, Mosfilm, Thaw, Central Committee of the Communist Party of the Soviet Union
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