Philosophy of culture
Reference:
Balakireva T.A. —
The Grounds for Interaction Between Science Fiction and Mediareality in Contemporary Culture
// Culture and Art.
– 2019. – ¹ 1.
– P. 1 - 8.
DOI: 10.7256/2454-0625.2019.1.27544 URL: https://en. nbpublish.com/library_read_article.php?id=27544
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Review:
The subject of this research is the relationship between science fiction as a literary genre and mediareality. Contemporary culture is filled with images from science fiction that are represented in media forms. New means of communication extend fantastic universums and enrich their plots through publishing fan fiction, role playing, etc. There must be some grounds the relationship between science fiction and mediareality is based on, so this is the subject matter of this research article. The research methodology is based on the techniques and methods adopted from the theory of literature, semiotics and mediaphilosophy. The researcher has also applied the historical method. The rationale of this research is caused by the fact that science fiction that had been so popular in the mid XXth century gave the content to the majority of works written in the media era. Totally and expansively growing mediareality has also involved fantastic discourse that has been at the peak of popularity for over quarter of a century. Mediareality is represented through the phenomena of contemporary fantastic discourse and the latter gets better opportunities for extension. The researcher emphasizes the need to analyze the grounds of this union in order to understand the trends of the cultural development.
Keywords:
Media, Philosophy of literature, Media culture, Mediarationality, Philosophy of absurdity, Absurdity, Mediaphilosophy, Speculative fiction, Mediareality, reader
References (transliterated):
King, S. Plyaska smerti. M.: OOO Izdatel'stvo «AST», 2001.
Lotman Yu. O printsipakh khudozhestvennoy fantastiki // Uchen. zap. Tart. gos. un-ta. — 1970. —Vyp. 284. — (Tr. po znakovym sistemam: [T.] 5), s. 285—287.
Kamyu, A. Buntuyushchiy chelovek. Filosofiya. Politika. Iskusstvo.-Politizdat, 1990.-415 s.
Kayua, R. Vglub' fantasticheskogo. Otrazhennye kamni / Per. s fr. N. Kislovoy. – SPb.: Izdatel'stvo Ivana Limbakha, 2006. – 280 s.
Delez, Zh. Logika smysla. M.: «Raritet», 1998.-480 s.
Balakireva, T.A. O formirovanii mediafilosofskogo diskursa i opredelenii ponyatiya «mediareal'nost'» // Vestnik SPGUTD, ¹ 2, 2018. S. 66-73.
Pratchett, T. A Slip of the Keyboard: Collected Non-Fiction by Terry Pratchett. London: Doubleday, 2014 g. – 307 s.
Couldry, N. Media, Society, World: Social Theory and Digital Media Practice. John Wiley & Sons, 2013. P. – 242.
Chadwick, A. The Hybrid Media System: Politics and Power. Oxford Studies in Digital Politics. Oxford University P. –304.
Maklyuen, M. Ponimanie media: vneshni
Culturology and cultural studies
Reference:
Koloskov A.N., Sokolov B.G., Chuan D. —
Transparency Within the Art Consciousness: the Phenomenon of Contemporary Chinese Ink Drawing
// Culture and Art.
– 2019. – ¹ 1.
– P. 9 - 32.
DOI: 10.7256/2454-0625.2019.1.28625 URL: https://en. nbpublish.com/library_read_article.php?id=28625
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Review:
The article is devoted to the phenomenon of Chinese ink drawing, history of this gendre and essential features thereof. By analyzing the existence of an artistic item (ink drawing, in particular) in the cultural space, the authors speak of its transparency that is conditioned by the heritage and connection to the traditions. The authors analyze stages and socio-cultural dependence of the genre specifics, influence of the European tradition on specific features of symbolic images and motifs. The authors focus on sustainability and ability to 'self-maintenance' of Chinese ink drawing. The authors study diverse empiric material in relation to the particularities of the art consciousness structure. Considering specific features of the research object, the authors have applied a classical method of the historical cultural research combined with comparative linguistics and elements of the comparative analysis. The scientific novelty of the research is caused by the fact that the authors shift away from the art history discourse when studying the artistic material and selecting the philosophical analysis perspective. As a result of the research, the authors conclude that we can speak about the transparency of the genre that is conditioned by the heritage and relation to the traditions. Taking into account the nature of the symbol, the authors state that Chinese ink drawing creates paradigmatics of the messages transmitted at each cultural stage while preserving the succession of these stages. The vital capacity of this genre proves the fact of its existence which, in its turn proves the importance of artistic 'items' in the art consciousness structure of many cultural generations.
Keywords:
transformation of a genre canon, tradition, symbol in painting, globalization processes, Chinese painting, transparency of the work of art, art consciousness, drawing ink, multiculturalism, understanding in culture
References (transliterated):
Podoroga V. A. Vopros o veshchi. Opyty po analiticheskoy antropologii. M.: GRUNDRISS, 2016. – 348 s.
Liotar Zhan-Fransua Sostoyanie postmoderna. M.: «Institut eksperimental'noy sotsiologii», SPb.: «Aleteyya», 1998. – 160 s.
Derrida Zhak Pis'mo i razlichie. SPb.:»Akademicheskiy proekt», 2000. – 432 s.
Van Ven'tszyuan' Istolkovanie obraza loshadi v zhivopisi Syuy Beykhun // Nablyudenie iskusstva. 2017. ¹ 3. S.109—114. 王文娟.徐悲鸿马的图像学阐释. 美术观察. 2017年第3期. 第109—114页.
Vinogradova N. Iskusstvo Kitaya / Vseobshchaya istoriya iskusstv: v 6 tomakh. T.II kn. 2. M.: Iskusstvo, 1961. – 848 s.
Syu Fuguan'. Dukh kitayskogo iskusstva. Shen'yan: Izdatel'stvo Chun' Fun Ven'. 1987. – 265 s.徐复观. 中国艺术精神. 沈阳:春风文艺出版社. 1987.-265年.
Men Tszin'sya. Vliyanie buddizm
Question at hand
Reference:
Petrukhina O.V. —
Applied Animation in Russia at the Turn of the 1920 - 1930s in Terms of the Synthesis of Artistic, Ideological and Sociocultural Transformations
// Culture and Art.
– 2019. – ¹ 1.
– P. 33 - 41.
DOI: 10.7256/2454-0625.2019.1.28653 URL: https://en. nbpublish.com/library_read_article.php?id=28653
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Review:
The object of the research is the applied animation in Russia at the turn of the 1920 - 1930s. The subject of the research is the processes that have been happening in the cultural space of the country as a result of new value paradigms being developed. Petrukhina draws the parallel between the crude woodcuts style and poster style in the Soviet graphic design and animation. She describes historical grounds for the applied Soviet animation as a means of interaction between different types of arts and communication technologies. Conclusions about the influence of previous processes on the creation of the original appearance of applied animation are drawn, its characteristic features are highlighted. The author of the paper uses a theoretical analysis of the scientific specialized literature. The research is based on the method of description that includes methods of observation, comparison, generalization and interpretation. The rationale of the research is caused by the fact that that Russian applied animation resulted from the transformation of the crude woodcuts style, ideological poster making and numerous graphic and technological experiments in cartoon animation. The author discovers unique eclectic and collective nature of animation. The fact that this is an understudied topic requires further diligent studies. In conclusion of the article, the author discovers the ways of prolification of applied animation in the socio-cultural space and opportunities to use it at this stage.
Keywords:
graphic art, paradigm, experiment, proliferation, soviet poster, evolutionary regularity, design, socio-cultural space, communication technologies, applied animation
References (transliterated):
Freylikh S. I. Teoriya kino: ot Eyzenshteyna do Tarkovskogo. M.: Akadem. proekt, 2002. – 510 s.
Eyzenshteyn S. M. Disney. M.: Ad Marginem Press, 2014. – 124 s.
Ryl'skiy G. V. Fol'klornye i epicheskie motivy v otechestvennoy animatsii // Filosofiya i aktual'nye voprosy obrazovaniya: materialy mezhdunar. nauch. konf. Kostroma: KGTU, 2010. S. 160-162.
Russkiy komiks. Sbornik statey. / Pod red. Yu. Aleksandrova. M.: Novoe literaturnoe obozrenie, 2010. – 352 s.
Polonskiy V. Russkiy revolyutsionnyy plakat. M.: GIZ, 1925. S. 45.
Pushin S. A. Sovetskie komiksy kak instrument vozdeystviya na massovoe soznanie // Tambov: Gramota, 2018. ¹11 (97). Ch. 2. S. 288-292. URL: https://cyberleninka.ru/article/v/sovetskie-komiksy-kak-instrument-vozdeystviya-na-massovoe-soznanie (data obrashcheniya: 03.09.18)
Morozova Ya. V. Spetsifika plakatnogo yazyka 1960–70–kh godov na primere tvorchestva Olesya Savostyuka // Vestnik Moskovskogo gosudarstvennogo universiteta kul'tury i iskusstv. M.: MGUKI, 2009. ¹5. S.243-246.
Mikhalenko N. V. Religi
Culture and cultures
Reference:
Izotova N.N. —
// Culture and Art.
– 2019. – ¹ 1.
– P. 42 - 49.
DOI: 10.7256/2454-0625.2019.1.28615 URL: https://en. nbpublish.com/library_read_article.php?id=28615
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Keywords:
yen, tradition, culture, denomination, banknote, coin, money, Japanese, kokorozuke, cash
References (transliterated):
Ermakova L.M. Oguro Tatsuo. Vy nemtsy, my yapontsy. Sravnenie mentaliteta i obraza myshleniya. [Elektronnyy resurs] – URL: http: http://national-mentalities.ru/east/vostochnaya_i_yugovostochnaya_aziya/yaponiya_v_sravnitelnyh_sociokulturnyh_issledovaniyah_referativnyj_sbornik/oguro_tacuo_vy_nemcy_my_yaponcy_sravnenie_mentaliteta_i_obraza_myshleniya/ (data obrashcheniya 18.08.2018).
Zarubina N.N. Den'gi kak sotsiokul'turnyy fenomen: predely funktsional'nosti» // Sotsiologicheskie issledovaniya. 2005. – ¹7 (255). S.13-21.
Zimel' Georg. Filosofiya deneg. [Elektronnyy resurs] – URL: http://www.srinest.com/book_897_chapter_13_Georg_Zimmel_FILOSOFIJA_DENEG.html (data obrashcheniya 15.08.2016).
Izotova N.N. Voploshchenie kontsepta «den'gi» v yaponskoy paremiologii // Litera. 2017. – ¹ 1. S.135-143. DOI: 10.7256/2409-8698.2017.1.20201. [Elektronnyy resurs] – URL: http://e-notabene.ru/fil/article_20201.html (data obrashcheniya 10.05.2018).
Izotova N. N., Likholetova O. R. Kul'tura podarkov kak otrazhenie etnokul'turnoy samobytnost
Culture and cultures
Reference:
Zaripova A.I. —
// Culture and Art.
– 2019. – ¹ 1.
– P. 50 - 58.
DOI: 10.7256/2454-0625.2019.1.28678 URL: https://en. nbpublish.com/library_read_article.php?id=28678
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Keywords:
intercultural communication, stereotypes, cultural stereotypes, media, culturology, historical context, French-Arab relations, France, French culture, islamic culture
References (transliterated):
Simoniya N.A., Torkunov A.V. Globalizatsiya i problema mirovogo liderstva // Mezhdunarodnaya zhizn'. 2013. ¹ 3. S. 21-35.
Silant'eva M.V., Shestopal A.V. Mezhkul'turnaya kommunikatsiya. «Myagkaya sila» kul'turnykh modulyatorov / Resursy modernizatsii: vozmozhnosti i granitsy mezhdunarodnogo konteksta. Materialy VII Konventa RAMI. 2012. S. 204-211.
Silant'eva M.V. Kommunikatsiya kak sposob translyatsii intentsional'nogo opyta lokal'nykh kul'tur // Nauchnye issledovaniya i razrabotki. Sovremennaya kommuniktivistika. 2016. T. 5. ¹ 4. S. 49-55.
Said E. V. Orientalizm. Zapadnye kontseptsii Vostoka. SPb.: Russkiy Mip, 2006 / Per. s angl. A. V. Govorunova. 637 s.
Nekhorosheva K.I. Dekart i kartezianstvo kak chast' kul'tury Frantsii // Vestnik Voronezhskogo gosudarstvennogo universiteta. Seriya: Filosofiya. 2017. ¹ 4 (26). S. 141-146.
Mezhkul'turnaya kommunikatsiya v usloviyakh globalizatsii / [V.S. Glagolev i dr.] – 2-e izd., pererab. i dop.-M.: Prospekt, 2016. – 200 s.
Dianina S.Yu. Filosofsko-kul'turologicheskie problemy vzaimodeystviya kore
Cultural heritage, tradition and innovation
Reference:
Rubin V.A., Spiridonova E.V. —
// Culture and Art.
– 2019. – ¹ 1.
– P. 59 - 68.
DOI: 10.7256/2454-0625.2019.1.28671 URL: https://en. nbpublish.com/library_read_article.php?id=28671
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Keywords:
Great Patriotic war, postsoviet period, cultural policy, youth policy, military memorial work, military memorial heritage, search movement of Russia, military burial place, dead defenders of the Fatherland, mass grave
References (transliterated):
Bole E.N. Istoricheskoe znachenie poiskovogo dvizheniya Rossii / E.N. Bole // Voennaya arkheologiya. 2009. ¹ 1. S. 12.
Voenno-istoricheskiy zhurnal. 2002. ¹ 10. S. 19.
Voenno-memorial'naya rabota // Voenno-istoricheskiy zhurnal. 2002. ¹ 2. S. 77.
Denisov V. Geroev pomnit' imena // Krasnaya zvezda. 2006. 20 – 27 sent.
Dokumenty TsK VLKSM. 1987. M., 1988. S. 147 – 148.
Zhuravlev V.A. Razvitie poiskovogo dvizheniya v Rossii: normativno-pravovoy aspekt / V.A. Zhuravlev // Izvestiya VGPU. 2018. ¹ 4(127). S. 230.
Il'in E.V. Zabytye soldaty voyny / E.V. Il'in // Vestnik SPbGU. Ser. 2. 2010. Vyp. 4. S. 16.
Komarovskaya E.V. Na severnom fase Kurskoy dugi, v Ponyryakh / E.V. Komarovskaya // Voenno-istoricheskiy zhurnal. 2002. ¹ 2. S. 76 – 77.
Novichenko S.L. K voprosy sokhraneniya istoricheskoy pamyati. Memorial'nye zony na rubezhakh oborony Leningrada / S.L. Novichenko, L.E. Sutyagina // Peterburgskiy istoricheskiy zhurnal. 2016. ¹ 4. S. 280 – 293.
Patrioticheskoe vospitanie grazhdan Rossiyskoy Federatsii na 2006 – 2010 gody: gos
Culture of the mundane
Reference:
Rozin V.M. —
// Culture and Art.
– 2019. – ¹ 1.
– P. 69 - 79.
DOI: 10.7256/2454-0625.2019.1.28479 URL: https://en. nbpublish.com/library_read_article.php?id=28479
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Keywords:
exhibitions, design, engineering, architecture, crisis, emigration, personality, decision, death, life
References (transliterated):
Rozin V.M. Myshlenie i tvorchestvo. – M.: «PER-SE», 2006. – 360 s.;
Rozin V.M. Rekonstruktsiya tvorchestva i portretov filosofov, uchenykh i khudozhnikov. – M.: «Resurs», 2018. – 396 s.
Rappaport A.G. Arkhitektura protiv dizayna. Interv'yu dlya zhurnala «Pod klyuch». — 2008. — ¹9(73). — S.50—51.
Konik M. Arkhiv odnoy masterskoy. Senezhskie opyty. – M.: «Indeks Dizayn & Pablishing», 2003. – S. 15.
Zimonenko A. R. Formirovanie sredy v chitatel'skikh zonakh biblioteki [Tekst] / A. R. Zimonenko // Sbornik nauchnykh trudov TsNIIEP im. B. S. Mezentseva / TsNIIEP im. B. S. Mezentseva. – Moskva, 1984. – S. 46 – 51 : il.
Zimonenko A. R. Printsipy organizatsii vnutrennego prostranstva v massovykh bibliotekakh [Tekst] : dis. kand. arkhitektury / A. R. Zimonenko. – Moskva, 1987. – 234 s.
Zimonenko A. R. Zdanie, inter'er i oborudovanie bibliotek [Tekst] / A. R. Zimonenko // Spravochnik bibliotekarya / sost.: S. G. Antonova, G. A. Semenova. – Moskva : Kniga, 1985.– S. 227 – 252.
Zimonenko A.R. Osnovnye printsipy formirovaniya vnutribibli
Culture of art and the process of creation
Reference:
Zolotukhina N.A. —
// Culture and Art.
– 2019. – ¹ 1.
– P. 80 - 93.
DOI: 10.7256/2454-0625.2019.1.28557 URL: https://en. nbpublish.com/library_read_article.php?id=28557
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Keywords:
monumental art, Crimea, mosaic, Soviet period, form, culture, plastic form, urban space, composition, creation
References (transliterated):
Shpengler O. Zakat Evropy: v 2 t. / Osval'd Shpengler. – M.: Mysl', 1993. – T. 1. 344 s.
Samoylova E. Khudozhestvennye ob'edineniya v Krymu v XXXXI veke. Sevastopol': NPTs «EKOSI-Gidrofizika», 2011. 216 s.
Tairova L.S., Samoylova E. O. Soyuz khudozhnikov Kryma. Proshloe i nastoyashchee // Khudozhniki Kryma. 2010. S. 16-18.
Lotman Yu. M. Semiosfera. SPb. : Iskusstvo, 2000. 704 s.
Monumental'noe iskusstvo SSSR/avt.-sost. V. P. Tolstoy : al'bom. M. : Sovetskiy khudozhnik, 1978. 382 s.
Lubinskaya S. Po rodnoy strane. Krymskiy al'manakh, Simferopol': Izdatel'stvo «Dolya».2004. s.103.
Kagan M. S. Izbrannye trudy : v VII tomakh. / M.S. Kagan.-Sankt-Peterburg : Petropolis, 2011.-Tom IV. Voprosy estetiki i iskusstvoznaniya.636 s.
Kandinskiy V.V. O dukhovnom v iskusstve / Vasiliy Vasil'evich Kandinskiy. – M.: Arkhimed, 1992. 109 s.
Berdyaev N.A. Smysl istorii. M.: Azbuka, 2016. 256 s.
Glazunova S. A. Izobrazitel'noe iskusstvo Kryma. Kratkiy obzor. // Izobrazitel'noe iskusstvo Rossiyskoy Federatsii. Krym. Khu
Art and Art History
Reference:
Salienko A.P. —
// Culture and Art.
– 2019. – ¹ 1.
– P. 94 - 102.
DOI: 10.7256/2454-0625.2019.1.28350 URL: https://en. nbpublish.com/library_read_article.php?id=28350
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Keywords:
Kandinsky, artistic life, art of revolutionary Russia, students of VKhUTEMAS, OST, Society of Easel, Tyshler, SVOMAS, VHUTEMAS, Communist Academy
References (transliterated):
Arkhiv RAN. F. 358, op. 2, ed. khr. 394. Matsa I. L. Problema tsveta v izobrazitel'nom iskusstve. Stenogramma preniy po dokladu na zasedanii sektsii prostranstvennykh iskusstv. 07.12. 1932
Arkhiv RAN. F. 358, op. 2, ed. khr. 29. Stenogramma preniy po dokladu Shterenberga D. P. «Khudozhestvennaya programma i praktika OST (obshchestva stankovistov)» i zaklyuchitel'nogo slova na zasedanii podsektsii izobrazitel'nogo iskusstva Sektsii literatury i iskusstva Kommunisticheskoy akademii. Vystuplenie Ostretsova. 21.05.1928
Arkhiv RAN. F. 358, op. 2, ed. khr. 18. Stenogramma doklada Mikhaylova A. I. «Pravye tendentsii v iskusstve i kritika iskusstvoznaniya» i preniy na zasedanii podsektsii izobrazitel'nogo iskusstva Sektsii literatury i iskusstva Kommunisticheskoy akademii. Vystuplenie I. Khvoynika. 27 noyabrya 1928
Arkhiv RAN. F. 358, op. 2, ed. khr. 138. Stenogramma doklada Matsy I. L. «Problema izobrazitel'nosti v proletarskom iskusstve» i preniy na zasedanii podsektsii izobrazitel'nogo iskusstva Sektsii literatury, iskusstva i yazyka K