Svirskii Y.I. —
Deleuze and Simondon: individuation of invisible forces
// Philosophy and Culture.
– 2018. – ¹ 8.
– P. 30 - 39.
DOI: 10.7256/2454-0757.2018.8.26848 URL: https://en. nbpublish.com/library_read_article.php?id=26848
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The object of this research is one of the important plots associated with the key issue: what is the place of aesthetics, and in a broader sense, the artistic endeavor in modern world. For discussion of the indicated topic, the author chose the two prominent French philosophers Gilbert Simondon and Gilles Deleuze, whose works slowly but surely are accustomed by the Russian philosophical thought. The article also attempt to determine the profound link between the various philosophical strategies that touch upon the subject of aesthetics. Every art experiments with itself, checking the own limits, and making the visible invisible, hearable unhearable, and spoken unspoken. Every art experiments with the forces; as various oeuvres of this art invent and reveal the forces they use. And every art experiments with the body of sensation, which for Deleuze is the body without organs, unorganized body-world of the unshaped elements and anonymous effective forces. If there exist the area common for arts, then it is the area of molecular forces, which ametric rhythms and pulseless time of individual arts are involved in various combinations of light, color, sound and word. Namely this area generates the open system of arts, which common problem is not the problem of reproduction of invention of forms, but the problem of the use of forces.
narration, art, aesthetics, supersaturation, metastability, preindividual, individuation, painting, music, technicality
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