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Notes on the international scientific conference “Russian Musical Baroque: Tendencies and Perspectives of Research” that took place in the State Institute for Art Studies
During the course of their studying, the authors applied the methodology of theoretical analysis and source study, historical and stylistic approaches, methods of systemic and comparative analysis. Russian musical Baroque for the first time became the topic of a fundamental international conference, which was called upon to determine the most recent trends in examination of this era, synthesize the modern scientific achievements, promote new research, as well as help restore an integral, and at the same time, multifaceted image of the Russian culture of the late XVII– middle of the XVII centuries that reflected the connections with Polish, Italian, German, and French musicians. It is for the first time that Russian musical baroque becomes a subject matter for an extensive range of opinions within the framework of the scientific event, expressed by the luminaries of Russian science, alongside the young scholars, including a number of foreign guests.
Keywords: Western European influence, Polish musicians, historical treatises, choral culture, the State Institute for Art Studies, international scientific conference, partesnïy (part-song) style, tercet, medieval monody, Russian musical Baroque
Article was received: 02-12-2016
Review date: 02-12-2016
Publish date: 05-12-2016
This article written in Russian. You can find full text of article in Russian here.