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Theurgy and tragedy of creativity in the aesthetics of N. A. Berdyaev
Kudaev Aleksandr Egorovich

PhD in Philosophy

Associate Professor of the Department of General Humanitarian and Socio-Economic Disciplines at Gnessin Russian Academy of Music. 

121069, Russia, g. Moscow, ul. Povarskaya, 30/36

a9e6k3@mail.ru
Другие публикации этого автора
 

 

Abstract.

This article is a continuation of the author's previous work "The Phenomenon of Theurgy in Aesthetics of N. A. Berdyaev: Origins and Approaches to the Problem" (Philosophy and Culture, 2017. No. 8), which analyzes the key problem of Berdyaev's creative heritage – the problem of theurgy that is interlinked with his concept of the tragedy of creativity. Namely the understanding of creativity as tragic in its nature, justified Berdyaev’s reference to the problem of theurgy, in which the author saw the opportunity to overcome the creative tragedy. This aspect is the subject of the article. The focus of attention lies in the most characteristic aspects that form the common contours of the future era and peculiarities of the new creativity. Highlighted by the author above all; this includes anthropomorphic character of creativity, and comprehension of its nature as immanent-religious. The article examines Berdyaev’s interpretation of symbolism as the expression of a profound cultural crisis, and simultaneously, the final act of the tragedy of creativity, which theurgy is called to overcome. But since the theurgist will "create the world in beauty”, the new creativity will be capable of revealing the actual aesthetic basis and essence of the universe. The scientific novelty consists in the author’s reconstruction of Berdyaev’s concept of theurgy. It determines the key role of the indicated problem for the philosophical-aesthetic thought of Berdyaev, as well as the concept of the tragedy of creativity. The author analyzes the pivotal, according to Berdyaev, features of the future era of creativity and peculiarities of the theurgical creativity, as well as the link between the latter and the “failure of culture”, symbolism, and aesthetic problematic as such.

Keywords: theurgy and tragedy of creativity, crisis and symbolism, creative calling of a person, religious meaning of creativity, antropomotphic nature of creativity, creativity and theurgy, new era of creativity, creative overcoming of culture, theurgy as superculture, theurgy and beauty

DOI:

10.7256/2454-0757.2018.2.24280

Article was received:

16-10-2017


Review date:

04-10-2017


Publish date:

22-02-2018


This article written in Russian. You can find full text of article in Russian here .

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