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Certain aspects of the Russian linguistic worldview on the example of the film “Moscow Does Not Believe in Tears”
Abstract.The focus of this article is the linguoculturology and the linguistic worldview as its components. The goal is the analysis of the popular melodrama of V. Menshov “Moscow Does Not Believe in Tears” (1979) as a demonstrative sociocultural commentary of some aspects of the Russian linguistic worldview. The work attempts to determine the key linguistic moments, which are typical for the Russian linguistic worldview, but absent in the Western European, as well as provide their brief description. For comparison was taken the Italian national worldview. Based on the comparative analysis of the known scientific and methodological literature, were highlighted the main phenomena of the Russian worldview in contrast with the Italian. Descriptive method was applied for analyzing the film and determination of the important, from culturological perspective, sides of the Russian culture and everyday life. The scientific novelty lies in suggestion to use the examples from the national cinematography for illustration of the aspects of the Russian worldview. The author discusses the key components of the Russian national worldview, such as country house, temporary resident worker, difference in the capital and provincial quality of life, pioneers, academic degrees, traditions of celebration, implicit meaning of the thematic verbs. The practical importance is presented mostly for teaching foreigners Russian language and culture.
Keywords: Russian cinematography, cinematography, national cultural semantics, culture, linguistical world view, world view, cultural studies, Russian culture, teaching Russian as foreign language, Russian world view
Article was received:25-03-2018
This article written in Russian. You can find full text of article in Russian here .