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Specifics of the Genre Structure of the Volga Delta Round Dance Songs
Abstract.The article describes different variants of the song folklore functioning and its relation to various genre groups. So, many researchers mark the need to take into account all the components of a particular example under study (in this case – songs). The article discusses the approaches to the study of folklore of such scientists as V.E. Gusev, I.I. Zemtsovskiy, E.V. Gippius and Z.V. Evald, Z.Y. Mozheyko, G.Ya. Sysoev, Yu. G. Kruglov. The main direction of the study of song folklore is a comprehensive analysis of the material, as the song contains not only a text and melody, it may include other elements of folklore, such as choreography, instruments, etc. The other mandatory element of the tradition is functional application of folk art, namely the existence of sound design in the ritual or outside it. Such elements are fundamental for the analysis of the song material. For it is unacceptable to consider the rhythmic formula without taking into account the performer’s interpretation, intonation and structural specifics of the song, and vice versa. In addition, each sample of folk music should be confirmed with a multiple performance, in the repertoire of both an ensemble of the studied tradition and a solo artist. All of that contributes to formation of more accurate conclusions of the work, on the basis of which it is possible to identify typical formulas which characterize a song culture of the local tradition. On the basis of the considered approaches to the study of the song samples of folk music, the article proposes a classification of the round dance genre of Russian villages of the Volga Delta depending on the ways of their implementation.
Keywords: timed, genre model, syncretism, typology, rhythm formulas, classification, song samples, genre, non timed, synthesizing
Article was received:29-06-2018
This article written in Russian. You can find full text of article in Russian here .