Рус Eng During last 365 days Approved articles: 1932,   Articles in work: 308 Declined articles: 749 
Library
Articles and journals | Tariffs | Payments | Your profile

Back to contents

Instrumental Theatre. The second Concerto for Trombone and Orchestra “Don Quixote" by Jan Sandström
Petrov Vladislav Olegovich

Doctor of Art History

Docent, the department of Theory and History of Music, Astrakhan State Conservatory

414000, Russia, Astrakhan, Sovetskaya Street 23

petrovagk@yandex.ru
Другие публикации этого автора
 

 

Abstract.

Instrumental theatre is one of the main genres of musical art of the second half of the twentieth century. It allows to accumulate features of different types of art in one piece of art – music, theatre, literature, painting, and so on. Due to the synthesis of arts, it is very  popular with the public. This article discusses one of the striking examples of the genre — The Second Concerto for Trombone with Orchestra ("don Quixote") by the modern Swedish avant-garde composer Jan Sandström. The author tries to make a complex analysis of the work, the main aspect of which is the interaction of arts, their synthesis and indivisibility. This synthesis is manifested in the change of the status of performers who play musical instruments — now they perform the function of actors, which is illustrated by their movements on the stage, costumes, props, demonstration of voice abilities. Jan Sandström created a unique example of instrumental theatre based on the plot and text of the legendary work by Cervantes.

Keywords: music and literature, art history, modern composition, synthesis of arts, performance, instrumental theater, Jan Sandström, Cervantes, concert, trombone

DOI:

10.7256/2453-613X.2018.2.26971

Article was received:

24-07-2018


Review date:

28-07-2018


Publish date:

30-07-2018


This article written in Russian. You can find full text of article in Russian here .

References
1.
Eko U. Shest' progulok v literaturnykh lesakh. SPb.: Simpozium, 2002. 288 s.
2.
Piskunova S.I. «Don Kikhot» — I: dinamicheskaya poetika // Voprosy literatury. 2005. № 1. S. 65-83.
3.
Butenko E.V. Stsenicheskoe perevoploshchenie. Teoriya i praktika. 3-e izdanie. M.: VTsKhT («Ya vkhozhu v mir iskusstv»), 2007. 160 s..
4.
Demidov N.V. Tvorcheskii khudozhestvennyi protsess na stsene / Pod red. M. N. Laskinoi. SPb.: Nestor-Istoriya, 2007. 480 s.
5.
Servantes, M. de. Khitroumnyi idal'go Don Kikhot Lamanchskii / Perevod N. Lyubimova. M.: Khudozhestvennaya literatura, 1988. 583 s.
6.
Purishev B.I. Literatura epokhi Vozrozhdeniya. Ideya «universal'nogo cheloveka»: Kurs lektsii. M.: Vysshaya shkola, 1996. 415 s.
7.
Stepanov G.V. Don Kikhot: personazh i lichnost' // Izvestiya AN SSSR. Otdele-nie literatury i yazyka. T. 38. № 6. M., 1979. S. 513-520.
8.
Shepovalov V.M. Stanovlenie teorii stsenografii i ee rol' v nauke o teatre // Iskusstvo i esteticheskaya kul'tura: Sbornik nauchnykh trudov. SPb.: Sankt-Peterburgskii institut teatra, muzyki i kinematografii, 1992. S. 149-157.
9.
Petrov V.O. Instrumental'nyi teatr KhKh veka: voprosy istorii i teorii zhanra: Monografiya. Astrakhan': Izdatel'stvo GAOU AO DPO «AIPKP», 2013. 355 s.
10.
Petrov V.O. Instrumental'nyi teatr vtoroi poloviny KhKh veka: kommunikativnyi aspekt // Problemy khudozhestvennoi interpretatsii: Materialy Vserossiiskoi nauchnoi konferentsii 27-28 noyabrya 2007 goda / RAM im. Gnesinykh. M., 2010. S. 87-95.
11.
Petrov V.O. Instrumental'nyi teatr: tipologiya zhanra // Muzykal'naya aka-demiya. 2010. № 3. S. 161-166.