Рус Eng During last 365 days Approved articles: 2071,   Articles in work: 301 Declined articles: 873 
Library
Articles and journals | Tariffs | Payments | Your profile

Back to contents

Conceptualization of the Principles of Traditional Costume Composition in Modern Fashion Design
Kidakoeva Nafiset Zaurovna

senior lecturer of the Department of Standartisation, Metereology and Trade Expertise as Maikop State Technical University

385000, Russia, respublika Adygeya, g. Maikop, ul. Pervomaiskaya, 191, of. 307

kidakoeva@bk.ru

Abstract.

The subject domain of the research is contemporary approaches to the analysis of possible application of traditional costume composition principles in modern fashion design. The author of the article describes systemic features of costume composition that provide many variants of elements combination and create opportunities for never-ending production of new costumes. The author focuses on the concepts that are put to practice by the designers who create fashionable clothes based on folk aesthetics (Russian, Buryat, Mari, Chinese, Japanese, etc.). The interdisciplinary nature of the research has made the author to apply the systems approach that involved art history, ethnographical, psychological and culturological approaches. The author has also applied the comparison method to analyze famous concepts of the structural functional analysis of traditional costume as a source of modern style in clothing. As a result, the author of the article describes the following consistent pattern: clothing design is based not only on visual means of traditional costume composition but mythoepic heritage of the people and ethnic picture of the world in general. This makes a fashionable costume understandable and popular outside the ethnic environment where it has been created. In conclusion, the author states that modern science and artistic practice offer several levels of understanding the problem of using the ethnic style in fashionable clothing coming from simple to complicated, from elementary to integral, from practical to philosophical. 

Keywords: art and design analysis, costume composition, reconstruction, stylization, ethnic style, shaping, fashion, traditional costume, design engineering, conceptualization

DOI:

10.7256/2454-0625.2018.11.27683

Article was received:

14-10-2018


Review date:

18-10-2018


Publish date:

25-11-2018


This article written in Russian. You can find full text of article in Russian here .

References
1.
Slovari i entsiklopedii na Akademike. https://dic.academic.ru/dic.nsf/fin_enc/24215
2.
Gumanitarnye tekhnologii. Informatsionno-analiticheskii portal http://gtmarket.ru/concepts/6891
3.
Legen'kii Yu. Dizain odyagu: posіbnik / Yurіi Legen'kii. Kiїv: KNUKІM, 2008. 374 s.
4.
Kim I. S., Dzhanpaizova V. M., Nurmakhanova A. N., Mirzamuratova R. Sh., Otarbekova S. Zh., Konysbekov S. M. Osobennosti kontseptsii natsional'nogo kitaiskogo kostyuma i vliyanie na konstruirovanie i modelirovanie sovremennoi odezhdy // Nauka i Mir. 2016. T. 1. № 4 (32). S. 47-49.
5.
Kalashnikova N. M. Narodnyi kostyum v kontekste traditsii rossiiskoi kul'tury. Dis.… doktora kul'turologii. Sankt-Peterburg, 1999. 428 s.; Kalashnikova N. M. Semiotika narodnogo kostyuma. Uchebnik. SPb.,2000. 370 s.
6.
Kalashnikova N. M. Semiotika narodnogo kostyuma. Uchebnik. SPb., 2000. 370 s.
7.
Vinichenko I. V. Razrabotka rekomendatsii k ispol'zovaniyu retrospektivnogo analiza konstruktivnogo resheniya natsional'nogo kostyuma pri proektirovanii sovremennoi odezhdy // Mezhdunarodnyi zhurnal prikladnykh i fundamental'nykh issledovanii. 2016. № 11-1. S. 8-11.
8.
Vinichenko I. V., Eremeeva M. N. Transformatsiya etnokul'turnykh traditsii kompleksa buryatskogo kostyuma v sovremennom dizaine. Al'manakh sovremennoi nauki i obrazovaniya. 2015. № 12 (102). S. 45-47.
9.
Polevshchikova T. I., Maksimova Z. Yu. Variativnost' kak sposob i uslovie sushchestvovaniya kul'turnykh traditsii mariiskogo natsional'nogo kostyuma v sovremennoi odezhde // Sovremennye problemy nauki i obrazovaniya. 2016. № 6. URL: https://elibrary.ru/download/elibrary_27695201_27801644.pdf
10.
Prisyazhnaya I. M. Preemstvennost' natsional'nykh traditsii srednevekovogo Kitaya v sovremennoi odezhde narodov dal'nego vostoka i primor'ya. Vestnik amurskogo gosudarstvennogo universiteta. Seriya: gumanitarnye nauki. 2012. № 56. S. 131-134.
11.
Shandrenko O. M. Etnomistetstvo yak dzherelo modifіkatsії proektnikh strategіi formotvorennya v dizainі odyagu. Vestnik khar'kovskoi gosudarstvennoi akademii dizaina i iskusstv. 2014. T. 7. № 7. S. 34-37.
12.
Serdyukova D. A., Serdyukova E. V. Traditsii narodnogo kostyuma v dizaine sovremennoi zhenskoi odezhdy // Kul'turnoe nasledie Sibiri. 2014. № 16. S. 150-157.
13.
Pyatkina M. A. Sovremennaya interpretatsiya mordovskogo natsional'nogo kostyuma. V sbornike: Bogatstvo finno-ugorskikh narodov Materialy III Mezhdunarodnogo finno-ugorskogo studencheskogo foruma. Mariiskii gosudarstvennyi universitet. 2016. S. 283-286. URL: https://elibrary.ru/download/elibrary_27352903_90901620.pdf
14.
Savel'eva I. N. Vzaimodeistvie mekhanizmov tvorchestva i metodov nauchnogo poznaniya v dizain proektirovanii odezhdy. Vestnik orenburgskogo gosudarstvennogo universiteta. 2012. № 4 (140). S. 123-126.
15.
Uspenskaya M. A. Aktual'nost' printsipov yaponskoi estetiki v sovremennom dizain-proektirovanii odezhdy // Akademicheskii vestnik UralNIIproekt RAASN. 2013. № 1. S. 91-95.
16.
Lavrova L. B. Istoricheskoe nasledie kostyuma v kontekste sovremennykh protsessov tvorcheskogo proektirovaniya odezhdy // Vestnik Gumanitarnogo universiteta. 2016. № 1 (12). S. 123-131.
17.
Pleshkova I. S. «Kontseptual'nyi» kostyum kak dominiruyushchee yavlenie v proektirovanii odezhdy na rubezhe XX-XXI vv. // Vestnik Vyatskogo gosudarstvennogo universiteta. 2010. № 2-2. S. 175-178.
18.
Savel'eva I. N. Khudozhestvenno-konstruktorskii analiz narodnogo kostyuma stran Srednei Azii // Vestnik Orenburgskogo gosudarstvennogo universiteta. 2015. № 5 (180). S. 63-68.